What is the structure of horror?

What is the structure of horror?

What is the most common theme used in horror or mystery stories?

What González refers to as the “poetics of silence”, for Chimal corresponds to the writer’s choice to take the reading of reality towards a path of “obscuration”. This condition allows us to recognize the demarcation that operates in Dávila’s work with respect to the rupture or transgression of the sense of reality that characterizes the fantastic genre and that Dávila’s narrative definitely surpasses. In this regard, Chimal says:

Many of us who have approached this brief and time-spaced work have done so from an inaccurate idea: from very early in her career, and with increasing force as time goes by, Amparo Dávila has been considered a writer of fantastic literature. This is not a problematic category only because of the prejudices that exist against her: moreover, if the fantastic is understood only as the description of “impossible” or “supernatural” things, it will not be possible to understand either the deep meaning of Dávila’s texts, or even their origin (32).

What is the name given to the fictional literary story that aims to provoke feelings of fear in the reader?

Horror literature is a genre of literary fiction that is intended to or has the ability to frighten, cause fear or terrify its readers or viewers into inducing feelings of horror and terror. … Horror can be supernatural or non-supernatural.

Who created the horror genre?

The beginning of the genre: Frankenstein

Carroll talks about a specific work with which he believes the horror genre began: Frankenstein. After talking about the Gothic, Lovecraft mentions some authors that he considers important for the history of the horror genre.

How to identify a horror movie?

Horror cinema is a film genre characterized by its desire to provoke in the viewer feelings of dread, terror, fear, disgust, revulsion, horror, discomfort or concern.

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Main character of a horror story

Straight into the mind of the sickest of horror authors, the genius Stephen King. A score of stories where the master offers us the best of his harvest: not only does he scare us to death, but there is no one like him to intrigue, amuse, and thrill. In this volume of stories there is room for everything, from a truly diabolical car that seems to have a life of its own (that sounds familiar, doesn’t it?) to a mysterious dune on which the names of those who are going to die are written, a touching story about Alzheimer’s disease. I’ve already said it, King’s best. Queens of the Abyss (2020) by VV. AA. Edited by Mike AshleyImpedimenta

The subtitle: “Ghostly tales from female masters of the unsettling” is a perfect fit. It follows somewhat in the wake of Dark Ladies, Ghost Stories by Eminent Victorian Women Writers. Impossible to read these stories without a shiver running down your spine. We often think that the writers who developed and pushed the boundaries of the horror story in the 19th and early 20th centuries were male, but that’s not true. There was a lineage of female storytellers who revolutionized the landscape of fear and psychological terror with masterful tales of haunted houses, apparitions and ghostly presences. This anthology recovers sixteen spooky tales from the most morbid authors. Some are well known, such as Mary Braddon, Marie Corelli, and Edith Nesbit. Among the lesser known are those who dared to penetrate the male bastion of pulp magazines and forged their own reputation in the horror field, such as Greye La Spina, G. G. Pendarvis, Margaret St. Clair, and Mary Counselman. We also have those who were once highly acclaimed for their mystery stories but are now forgotten: Marie Belloc Lowndes, Mary Sinclair, Eleanor Smith or Leonora Carrington. All authentic queens of the abyss gathered in a book that will scare the hell out of you.The Good Son (2019) by You-Jeong Jeong Trad. Luis Alfredo de los Frailes ÁlvaroReservoir Books

Why am I afraid of horror movies?

Atmosphere and the unknown

Maybe your aversion to the horror genre comes from resources such as darkness, silences, music variations, gloomy imagery… In other words, everything that helps to create the spooky atmosphere.

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What is scary about horror or suspense movies?

According to a study published in the journal Science, watching a horror movie generates a situation of acute stress that forces the brain to reorganize itself and makes it remember bad moments, which accelerates the pulse and produces an increase in heart rate, oxygen consumption from the outside and the expulsion of carbon dioxide from the body.

What are the characteristics of the horror story?

A horror story or horror story is a narrative, usually brief, belonging to the literary or popular sphere, which seeks to cause the reader feelings of fear and anguish, through the recreation of imaginary, fantastic or supernatural situations.

What is a horror story

Of course, there is a lot of garbage, but the same goes for the rest of the narrative genres; and the truth is that nothing prevents a writer from playing with language in a horror novel, nor a filmmaker from making a visually splendid horror film, nor both from devising amazing plots, building complex psychological profiles and dramas that touch us deeply. And, if there is anyone today who knows the mechanics of the genre perfectly, it is Stephen King, who has also written extensively about the widespread prejudices about horror and the reasons that lead many people to embrace them as true.

Depth of thought in journalism is a rare commodity, and it is not uncommon for reputable art workers to face trite questions from the press about why they do what they do. In the preface to his book of short stories Night Shift (1978), King says that, “by tacit agreement, we in civilized society call our obsessions ‘hobbies,'” and that, “since ‘hobby’ is a hackneyed and vulgar word, we have also adopted the tacit agreement to call our professional obsessions ‘arts.'” And he elaborates a metaphor of the mind as a filter in which some obsessions or others get stuck depending on how each individual’s is. In his, of course, “the macabre” gets stuck, and that sediment is what drives him to write his works.

What are the three parts of a horror story?

The structure of most horror stories is not too different from the general structure of the short story: beginning – complication – denouement.

What types of characters are there in horror movies?

According to the web portal Características.co there are three categories: conventional, sinister or mysterious and monstrous. We will go a little further, offering a typology based on the roles of protagonist, antagonist and secondary character that you can appreciate in the different types of horror that exist.

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When did the horror genre emerge?

The origin of the horror genre

It is one of the oldest genres, as it stems from the folklore and religious traditions of antiquity. … In the Gothic period is considered that the horror genre was born formally in literature, the Gothic novel is an example of it.

What are the resources used to elaborate a horror or mystery story?

A horror story or horror story is a narrative, usually short, belonging to the literary or popular field, which seeks to cause the reader feelings of fear and anguish, through the recreation of imaginary, fantastic or supernatural situations.

The horror story is one of the many subgenres in which short stories can be classified, both those with artistic aspirations and those that respond to a local or popular tradition, often linked to the religious or cultural values of the region.

This genre has not only remained in time, surviving the changes in culture and literature, but has also colonized other forms of narrative representation such as theater or especially television, giving rise to a vast tradition of horror films.

However, the particularity of the structure in the horror story has to do with the distribution of events in this structure, since the horror story can end at its climactic moment or at the moment of greatest tension and lack a denouement that reconciles the plot and allows a new state of balance in the elements of the narrative.